Thursday, July 18, 2019

The character of Claudius

The guinea pig of Claudius can be recognized as the major opposer in the play. Traits much(prenominal) as constituteence cleverly evil, lustful, and conniving were the factors that won him the blossom as the King of Denmark.As a king, Claudius focus on protecting his throne from universe relinquished from him. He was a hushed talker and had the ability to manipu recent former(a)s as a faade of his corrupt personality as a politician.thither is great perplexity when it comes for his love for Gertrude as it is tick offn to be a political move to gain power. Although, tied(p) if he did remotely cargond about Gertrude, he still allowed her to drink from the poisonous goblet knowing that she would die so he would not be implicated in an attempted murder (Hylton 2000, incite V). His craftiness and love for power prevented him from showing that he sincerely c bed for the people around him.The haphazard times that he had shown genuine emotions for other people than himself w as when Polonius died and the kindness he had shown for Ophelia. He could not bring himself to kill critical point himself because of his feelings for Gertrude. He cannot resist worldly desires and tell apart them over his soul. He was not a monster with absolutely no moralistic fiber instead he was chastely weak and unable to choose proper over evil.Q)2 Gertrude, settle manpowerts father was a beautiful queen of Denmark who remarried her late husbands brother Claudius briefly after her husbands murder. on that point are significant questions to her character in terms of the purity of her intentions in remarrying as well as her involvement in Claudius murder of the king.She was a woman with practically love for her status in society, more same(p) her new husband, and for affection and intimate attention. juncture was disgusted with her inability to exist without a man by her expression and how she uses them for her own self-preservation and called his convey faint ( Hylton 2000, Act I). critical point was greatly distraught with how morally frail his mother was and was even in anguish because of it. He was affected by his mothers lack of morality and suffered because of it. thither was nothing exaggerated with how Hamlet felt about his mother. It would be disheartening for anyone who would see his mother be so sickening, what more to see a queen of a nation act in such a manner.He was depressed because he had of late and genuine affections for his parents. He felt significantly associated to his mother because they were related and her corruption is nowadays his corruptions as well as they are family. He felt defiled by his mothers inability to come to moral strength that he himself exhibited such weakness in his own kin with Ophelia. Hamlets focus on his mothers morality was adjust with a sons temper that cared about his mothers wellbeing.Q3) There were so many similarities in the character of Hamlet and Laertes as men, although Haml et holds slightly qualities that make him somewhat better than Laertes. They were two impulsive at different degrees when they are angered. They both sought retaliation for revenge for the death of their fathers.Laertes wanted to kill Claudius when he suspected him for killing his father, Polonius (Hylton 2000, Act IV). However, Hamlet could not bring himself to kill Claudius to vindicate his father without evidence sufficient for his intellect. He was ever so drawn to answering philosophical and difficult questions. He contemplated about a lot of things before acting on them while Laertes was impulsive and quick to act.Although, on that point had been times when both acted spontaneously because of rage, like when Hamlet killed Polonius instead of Claudius. Both men shared great love for their families and exhibited coercive qualities in the women in their clans. Laertes warned Ophelia about Hamlets intentions and Hamlet was troubled by his mothers marriage. However, it is sti ll Hamlets completative nature that wins out because it is always wiser to think before one act. roleHylton, J. (2000). The Tragedy of Hamlet, Prince of Denmark. From The Complete Works of William Shakespeare. Retrieved on August 23, 2007 from http//shakespeare.mit.edu/hamlet/full.html.

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